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http://trendbeheer.com/2009/12/10/one-mohr-time-de-opbouw/#comments
One Mohr Time Donderdagavond 10 december 20.00 uur
Als je één werk nog één keer zou willen (laten)
zien…
Mariëlle Buitendijk
Sibylle Eimermacher
Freya Eshuijs
Jobbe Holtes
Maria Jager
Annegret Kellner
Mina Minov
Maartje Overmars
Aldwin van de Ven
Franzis Wiese
Julie van der Scheer
11 alumni van de drie afdelingen van het Frank Mohr Instituut (FMI Masters,
Groningen), Schilderkunst, Theatervormgeving en Interactive Media and Environments,
zijn uitgenodigd door Leo Delfgaauw.
Leo Delgaauw, voormalig stadsconservator Den Haag en curator van De Pont in
Tilburg, werkt momenteel als teamleider autonome beeldende kunst aan de Academie
Menerva en als hoofd Frank Mohr Instituut (FMI, Groningen).
Het Alumni van de drie afdelingen presenteren elk één werk in
Nest en zullen deze avond aanwezig zijn om hun keuze toe te lichten in een
publiekspresentatie.
One Mohr Time is de derde oneNeststand, dit is een NESTprogramma met presentaties
van één avond. Curatoren van buiten Nest worden uitgenodigd
om vanuit de eigen ervaring, omgeving en visie een invulling aan de avond
te geven.
Tentoonstelling
Donderdagavond 10 december, 20.00 uur
De tentoonstelling is gratis toegankelijk
Nest
De Constant Rebecqueplein 20b
2518 RA Den Haag
070 3653186
info@nestruimte.nl
kijk voor meer info en route op:
www.nestruimte.nl/onemohrtime
One Mohr Time wordt mede mogelijk gemaakt door:
de Mondriaan Stichting
outlook
crib
Amsterdam christmas 2009
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PLAYSTATION Galerie Fons Welters Amsterdam
a


a
Long Distance Call HotelMariaKapel in Hoorn
curated by Daniël Dennis de Wit & Jantine Wijnja
Long Distance Call present the followingartists:
David Horvitz (USA) and Annegret Kellner (DE)
Julie Upmeyer (USA / lives and works in Turkey)
Lee Walton (USA) and Feiko Beckers (NL)
New
technologies appear to make faraway or global connections easier then ever
before; but how close does contact get without physical proximity?
With Long Distance Call HotelMariaKapel aims to investigate these new possibilities
and their limits by focussing on instruction works in contemporary art: works
developed by one artist and realized, over distance, by another. More specifically
HMK wants to find out how intimate, intruding or locally embedded such new
works can become. In other words: can collaborations overcome physical distances,
and expand our creative possibilities?

introdruction Jantine Wijnja .. real cooking with July via internet
almost invisible, carbondrawings of David Horvitz by Annegret Kellner
video stills of Versandt Fussabdruck Flaschenpost
................
videowork of Feiko Beckers ...............interview of David by Jantine
photos: Cassander Eeftinck Schattenkerk & Annegret Kellner

Das
Privileg der Jugend
De Kijkkasten Amsterdam
Het privilege van de jeugd is de fase waarin ernst en verschrikking nog niet
onder ogen hoeven worden gezien
en
gaat gepaard met rebellie en verzet tegen hiërarchische systemen. De
tekening van de palmboom
vertegenwoordigt het paradijselijke en tegelijkertijd de verontrusting,
maar kan in zijn vorm ook zinnebeeld zijn voor een wapperende strijdvlag in
de wind. In het proces
van tekenen verliest het beeld van de palm kwaliteit door het letterlijk doordrukken
in lagen van papier
totdat deze volledig onzichtbaar dreigt te worden.
Zoals het privilege van de jeugd vergaat, zo vergaat het de palm.
7 carbon drawings
print
1/7 .......................................print
6/7
exhibitionview

Drugstore Bettle (Sitodrepa Paniceum)
organized
and published by David Horvitz
'edition of 30 exhibitions containing small works of 27 artists, bound in four-flap, an archival enclosure used in libararies were given to serveral libraries arround the world as a donation..since they were already legitimately placed in the two widely used digital systems, that they would slip with ease into the respective library’s collection. If accepted, they become subject to the rules and regulations of the library. Some may circulate, some may be held in special collections that are only accessible by appointment (where they can be handled with white gloves and looked at in the surrounding silence of the library). Some libraries may allow them to go on loan, making them an exhibition-ready-to-be-checked-out-and-displayed. Or, in the cases where they may be refused admittance, they may disappear, like the used-book with no place to go that one finds in the discarded-pile at a library sale.'
Drugstore
Bettle features:
Marley Freeman * Paul Branca
Mary Walling Blackburn * John Sisley
Miranda Lichtenstein * Annegret
Kellner
Emilie Halpern * Barbara Ess
Daniel Gustav Cramer * Alex Klein
Sarah Rara Anderson * Graham Parker
Suzie Silver * Marijke Appelman
Jon Pestoni * Josh Kit Clayton
Amy Lam * Luke Fischbeck
Michael G. Bauer * Avalon Kalin
John Pena * Santos Vasquez
Zach Houston * Michelle Blade
Graham Anderson * Steve Kado * Ken Ehrlich
I've contributed with three series of carbon drawings.



3Kings
Tobias Meyer/Sotheby’s
Simon de Pury/Phillips de Pury & Company
Christopher Burge/Christie’s
Within the context of the project of the museum library Sitodrepa Paniceum
by David Horvitz I I have decided to contribute a sequence of carbon drawings
of the most well-known auctioneers of the three leading auction houses.
Where the museum and libraries’ primarily task is the preservation of
the cultural heritage, auction houses course a more sensational approach to
consume art also by creating short-term value.
I want to illustrate the nearly star status of the head auctioneers, Meyer,
Burge and de Pury, as they have become even personally influential to the
art world.
For this drawing sequence, I used the traditional way of copying through carbon
paper. By drawing through a stack of paper each copy differs in saturation
and eventually fades away. I like to archive that cursory process of rising
and falling of today’s value of art and its consumption.
LIST
OF LIBRARIES
USC Fine Art and Architecture Library (Los Angeles, CA, USA)
Museum of Modern Art (New York, NY, USA)
CCS, Bard College (Annandale on Hudson, NY, USA)
California College of the Arts (Oakland, CA, USA)
The Contemporary Museum Honolulu (Honolulu, HI, USA)
Walker Art Center (Minneapolis, MN, USA)
Library of National Congress (Washington DC, USA)
Denver Art Museum (Denver, Colorado, USA)
Chicago Art Institute (Chicago, IL, USA)
Museum of Fine Art Boston (Boston, MA, USA)
Museum of Contemporary Art Miami (Miami, FL, USA)
Contemporary Arts Museum (Houston, Texas, USA)
Townhouse (Cairo, Egypt)
Museo Tamayo (Bosque de Chapultepec, Mexico)
Vancouver Art Gallery Library (Vancouver, Canada)
Niterói Contemporary Art Museum (Rio de Janeiro, Brazil)
Tehran Museum of Contemporary Art (Tehran, Iran)
MCA Library (Sydney, Australia)
The University of Auckland Library (Aukland, New Zealand)
Stedelijk Museum Library (Amsterdam, Netherlands)
Tate Library and Archive Collections (London, UK)
Hamburger Banhof (Berlin, Germany)
Museum of Modern and Contemporary Art (Bolzano, Italy)
Muzeum Sztuki (?ódz´, Poland)
Bibliothèque publique d’information (Paris, France)
21st Century of Contemporary Art (Kanazawa, Japan)
National Museum of Contemporary Art (Seoul, Korea)
Pushkin Museum of Fine Arts (Moscow, Russian Federation)
Shanghai Duolun Museum of Modern Art (Shanghai, China)
Istanbul Modern Library (Istanbul, Turkey)

outlook crib
installation of paperbags and a light
3e Oosterparkstraat Amsterdam 2009